Midnight Run Transforms
Running at midnight after work on Thursday night, I felt exhausted after working past 11pm, I got home and had a cigarette, thinking to myself… Read More »Midnight Run Transforms
Contributions
100 Up
By translating his own body as a series of data points, James Steventon manipulated three dimensional space and the variation in attempting to maintain perfect form over 100 repetitions, via the experimental RGBD film making process.
A Song for Eurydice
James Steventon’s elevated heartbeat is transmitted in real time to Jason Singh’s live music sequencer. Through a skillful treadmill running performance, the tempo is set by the alternating heart rate. Singh’s live vocal response in turn directly affects the heart rate, setting up a circular, symbiotic relationship where Steventon’s heart becomes both instrument and perceiving organ, as Singh composes the running journey.
The Only Running Footman
A running-based performance cum wedding gift cum birthday present. James Steventon dressed as an 18th Century Running Footman, based on an etching from the Old and New London by George Walter Thornbury, 1873.
Totally Thames 2019
“This is a pilot project preceding a longer, more extensive live run event to take place in 2020 over fourteen consecutive days, following the Thames… Read More »Totally Thames 2019
The Art of Not Running
For this performance lecture Beth brings a not often spoken of aspect to the dialogue around running and art, drawing from her own personal experience… Read More »The Art of Not Running